Showing posts with label Robertson Avenue. Show all posts
Showing posts with label Robertson Avenue. Show all posts

Friday, April 11, 2008

When Privacy Goes Public


One cool, beautiful Saturday evening in the summer my wife and I decided to walk down Robertson Boulevard after a pretty good dinner at Jerry’s Famous Deli (back when it was fun to go there). Everybody walking down the street seemed pretty happy and serene, only to have the vibe completely destroyed before our very eyes. Across the street was the Daisy, a top-rank restaurant frequented by showbiz celebrities that looked like a fairy tale house with picket fence.
We saw a jeep pull up to the valet park, and within seconds at least, Honest to God, twenty (20) paparazzi swarmed around the jeep like locusts in a corn field. It was impossible to see who was in the jeep because the swarm overtook it, flash bulbs popping away like a strobe light going berserk and the photographers yelling their heads off. We never did find out who got out of that jeep. The serenity of the street was completely destroyed.

The mania for entertainment news doesn’t just encroach into your personal life. It’ll grab you in your work day, too. I work next door to the Los Angeles County Superior Court on Hill Street, where the Britney Spears custody battles in court have been taking place. Going out on my lunch break has been a serious ordeal.
The first thing I have to do is make sure I don’t trip over feed cables on the sidewalk while a TV news reporter sets up in the middle of the sidewalk, and 3 paparazzi with bazooka sized cameras are marching up and down in front of me not giving a hang about the working people walking by them, getting in everybody’s way. This wasn’t an isolated incident at all, in fact, the Spears custody battles have been raging in the courts week after week, so the congestion just trying to go out to lunch or park has been well near impossible.

My wife was hired to design outfits for Jessica Biel in her latest film, and since Biel was Justin Timberlake’s latest girlfriend the studio was swarming outside with reporters and paparazzi. As tight as security was, the worst came to pass: someone took a phone camera photo of Biel performing a strip tease scene in what was supposed to be a closed set. They never did find out who took the photo, but there it was a week later in the Enquirer.
When gossip magazine money comes to play there is no such thing as airtight security. The payoff is too good and people are more than willing to jeopardize someone’s privacy for pay.

Thursday, November 15, 2007

Pico and Robertson


I forgot to put the bobby pin on my yarmulke, so the skull cap kept slipping off the back of my head again and again. I had to keep readjusting it on my head to keep it from falling off. I walked down Pico Boulevard doing this as the carnival of the damaged and depraved passed me by.

There was Mr. Exploded Eye, the Dog Lady, even old Moe Howard, decades away from Three Stooges fame. He’d hang out by the news stand and talk to the battered old vendor in his frail voice, a small, meek old guy with the spittoon haircut, all white now, too tired to throw a pie or poke a Shemp eye to save his life.

Mr. Exploded Eye had a severe case of conjunctivitis that was never treated, so he had one eye that protruded from his head like an enormous fried egg that exploded. He always wore a baggy suit with a crushed hat and looked like an old baggy pants comedian straight out of a burlesque show.

The Dog Lady was a gnomish woman of indeterminate age who always wore a heavy coat regardless of the weather. She continuously walked four mongrels on a leash. The dogs were so tired and inbred they didn’t resemble any identifiable breed to anyone.

Advancing towards the large intersection of Robertson Boulevard one could hear the shrill wail of Morey Branovan’s alto saxophone. Branovan was an insane little Jew with platinum blonde hair and a baby face who hated children and teenagers. And we hated him. He would play “Hatikvah” in an excruciatingly loud bray that sounded like a horse being tortured. In between notes he’d scream “HEY!” He’d wear a Hawaiian shirt with rotting old leis around his neck and have a sign in front of his sax stand that said “I LOVE GOLDA MEIR”. Even the Rabbis avoided this no-talent creep, stepping around him as you would a big dog turd.

Naïve idiot that I was, I tried to talk saxophones with him. BIG mistake.

“Hey, man, what brand mouthpiece do you use?”

“#@xT&%!” he mumbled insanely, clearly not interested.

“Do you double on tenor, also?”

“Kaftaferogoondoolabob”, he hacked in my face, a loogie just barely missing my pan. I was getting kinda steamed at his phoney crazy ass act.

“Did you blow your Daddy to get that horn, you old freak mother?” I leaned into him.

“GET THE HELL OUT OF HERE MOISHE DAYAN SHIT PISS HEBREW NATIONAL!” he roared, his fat pugly face turning beet red.

“Oops!’ I kicked his sax case over, causing nickels, dimes, and quarters to spill out onto the sidewalk, coins rolling into the gutter and further out into the street.

“I’LL KILL YOU!” he screamed so loud everybody stopped in their tracks and turned around. “YOU DAMN KUGEL MATZO BALLO VOOTY BASTARD FUCK SIDNEY MENDEL KATZENBERGER!”

I strolled down the road and felt a little bit better than I did ten minutes ago. I turned for a sec and saw Branovan chasing his change into the street, shiny new Cadillacs almost plowing into his stocky frame and honking angrily at him. The world was crazy and I didn’t care anymore.